Benthem Crouwel Architects and Snøhetta have teamed up to complete a hybrid civic complex in the Netherlands, recently revealing its gently sloping design. The upcoming House of Culture and Governance in Delfzijl will bring together a theater, library, and town hall under one roof. Its form is conceived to respond directly to its urban and cultural context. A soft curve along the facade embraces the public square, while the structure gently tapers into the existing street pattern on the opposite side. The roofline also traces a rhythmic silhouette against the sky, undulating ‘like a piece of music,’ says Saartje van der Made, architect and partner at Benthem Crouwel.

The aim, she notes, is to create a building that feels ‘rooted in the landscape and community of Eemsdelta.’ In line with this, the project is the result of a fast-paced but deeply participatory design process, taking into consideration input from future users, local residents, council members, and youth groups.

all images courtesy of Benthem Crouwel Architects and Snøhetta

Snøhetta & Benthem Crouwel Architects consider local identity

The teams at Snøhetta (see more here) and Benthem Crouwel Architects (see more here) looked closely at Delfzijl’s historical and urban fabric when shaping the building’s massing and material expression. The final design aims to fit seamlessly into its surroundings while also standing out as a contemporary civic landmark. The surrounding area will also be significantly upgraded as part of the project, continuing the municipality’s recent efforts to revitalize the urban fabric, extending from the city beach and boulevard to Damsterkade and Vennenplein.

The House of Culture and Governance is intended to function as a civic and social hub, designed with and for the community. This focus was integral to its identity, as its program has evolved from an initial plan for a theater and library into a multifunctional facility where people can meet, learn, and engage with culture and government. Notably, the heart of the building will be a shared central space, where the library is prominently located and conceived as an open and accessible environment. While the first phase of the design has been completed, the City Council of Eemsdelta is expected to finalize the structural design by October 2025.

a soft curve embraces the public square, while the structure gently tapers into the street pattern on the other side

the roofline also traces a rhythmic silhouette against the sky, undulating ‘like a piece of music,’

project info:

name: House of Culture and Governance
architect: Snøhetta | @snohetta, Benthem Crouwel Architects | @benthemcrouwelarchitects
location: Molenbergplein, Eemsdelta region, the Netherlands

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With construction advancing toward its planned opening in 2025, fresh photographs by StudioSZ document the evolving presence of Snøhetta‘s Shanghai Grand Opera House in the city’s Expo Houtan neighborhood. Designed in collaboration with ECADI, the project introduces a monumental cultural landmark along the Huangpu River, where its spiraling roofline rises in a steady gesture above the waterfront.

The opera house takes shape as a broad, gently rotating form, expressed in layered terraces and sweeping contours that convey a sense of movement anchored in place. At ground level, the structure meets its surroundings through a generous plaza and landscaped edges, drawing visitors toward a continuous, climbable roof that functions as a civic promenade. This rooftop, which will be open throughout the year, establishes a public destination as much as an architectural feature, creating varied vantage points over the river and the city skyline.

images © StudioSZ

snøhetta designs with contextual motifs

The design by Snøhetta references the image of a traditional folding fan, a motif repeated across the project’s interiors and circulation spaces. The architects have described this gesture as evoking the dynamic energy of dance while underscoring a commitment to public ownership. Inside, the composition unfolds in a sequence of overlapping volumes, where lobbies and halls merge with interstitial gathering areas to promote fluid movement among audiences.

Three auditoriums of different capacities are positioned to accommodate a spectrum of performances, ranging from traditional Chinese opera to contemporary experimental productions. The main hall, configured for opera and symphonic work, is complemented by smaller venues for recitals and immersive shows. Warm finishes and measured lighting define the interior palette, supporting an atmosphere that balances clarity with intimacy.

the Shanghai Grand Opera House is nearing completion along the Huangpu River in the Expo Houtan neighborhood

materiality: translucent, smooth and white

Snøhetta’s scope encompasses architecture, landscape, interior, and graphic design, reinforcing coherence across scales throughout the Shanghai Grand Opera Hall. The building envelope combines smooth white surfaces with translucent panels that modulate daylight and reveal activity within. A network of terraces and roof pathways extends the public realm vertically, encouraging engagement beyond the primary performance spaces.

The project incorporates a range of supporting amenities. Libraries, rehearsal studios, restaurants, and small cinemas are distributed through the perimeter, broadening the building’s reach beyond evening performances. Each program element has been configured to share visual connections with the larger circulation system, maintaining the clarity of the fan-shaped plan.

The recent images by StudioSZ emphasize the Opera House’s advancing material finishes and landscape integration. Concrete and glass are layered with precision, and the rooftop paths already convey the spatial openness that will characterize the completed project.

Snøhetta designed the project in partnership with ECADI as a major landmark for Shanghai

the building’s spiraling roofline forms a climbable public promenade overlooking the river and skyline

a folding fan motif shapes the interiors, symbolizing dance and civic openness

three auditoriums support traditional opera, contemporary performances, and smaller recitals

the rooftop terraces and pathways extend public space into the vertical dimension

warm materials and controlled lighting define the atmosphere within the performance halls

project info:

name: Shanghai Grand Opera Hall

architect: Snøhetta | @snohetta

location: Shanghai, China
collaborators: East China Architectural Design & Research Institute (ECADI), Theatre Projects, Nagata Acoustics, schlaich bergermann partner, Meiss Architecture & Engineering Office
area: 146,786 square meters

previous coverage: April 2019, November 2023

photography: © StudioSZ | @studiosz_photo

The post new photographs show snøhetta’s shanghai grand opera house take shape appeared first on designboom | architecture & design magazine.

Snøhetta completes Karmøy Pilot Homes, three residences tailored for people facing serious substance abuse and psychiatric challenges on Norway’s west coast island. Developed as part of a pioneering research initiative, these homes explore how architectural design can enhance the quality of life, improve health and safety standards, and reduce municipal costs.‘We hope that we have created homes that users want to take care of so that they have a longer lifespan than such homes generally have today,’ shares Elin Vatn, senior interior architect and project lead of Snøhetta.

Diagonal saddle roofs crown the three houses, which share similar layouts and volumes but differ in their choice of primary materials: one features solid wood with exposed interiors, while the other two comprise a semi-detached house combining brick and concrete units. Material selection was informed by studies on durability, washability, and robustness, ensuring the homes can withstand wear and tear while remaining visually appealing.

all images by Haakon Nordvik, courtesy of Snøhetta

Karmøy Pilot Homes feature durable materials and furniture

The Oslo-based Snøhetta team opts for materials—solid wood, brick, and concrete—that excelled in physical tests for resistance to impacts, fire, and vandalism. Their slightly rough aesthetic masks wear and tear, extending the perceived lifespan of the homes. Fixed, durable furniture was prioritized over replaceable pieces, reducing operating costs and emphasizing longevity. Although reuse and dismantling are common in sustainable housing, this project focused on repairable materials to balance environmental considerations with practical needs.

Each home was designed to accommodate specific resident behaviors, such as object hoarding, indoor use of open flames, and dismantling of interiors. These factors influenced the design of floor plans, technical solutions, ventilation systems, heating, and fire safety measures. For example, one house includes a freestanding bedroom accessible from the exterior, allowing staff to clean and maintain spaces independently of the resident. All three residences feature a wooden ceiling that adds warmth while remaining out of reach from potential harm.

Recognizing the users’ shared interest in carpentry, outdoor spaces were designed with roofed canopies and spacious storage areas featuring double-height doors. This layout allows tools and equipment to be used and stored conveniently, reducing the need to bring such activities indoors.

Snøhetta completes Karmøy Pilot Homes in Norway

aligning with the municipality’s plans to reduce homelessness

Placed within a natural living context, the homes are designed to foster a sense of pride and ownership among residents, aligning with Karmøy municipality’s Vision Zero for homelessness. The city aims to provide suitable, adaptive housing for all residents with substance abuse and psychiatric diagnoses, prioritizing close dialogue with each individual to address their unique needs.

The project—initiated in 2020 and funded by the Research Council of Norway alongside Karmøy and Stavanger municipalities—was conducted in collaboration with the Norwegian Research Centre (Norce), the University of Stavanger, and other institutions. Snøhetta adapts physical housing elements based on insights from residents, municipal employees, and user organizations. User involvement played a pivotal role throughout the design process, with VR tools used to visualize homes and assess roof shapes, materials, and colors. 

the residences are tailored for people facing serious substance abuse and psychiatric challenges

plans to scale the model in more norwegian regions

By tailoring housing concepts to specific profiles, Snøhetta generates valuable insights into diverse needs and preferences through the Karmøy Pilot Homes project. Over time, the municipality plans to refine these designs and potentially scale the model to other regions in Norway, enabling scientifically grounded evaluations of the homes’ long-term impact.

‘Everything that’s normally taken into account when we are designing homes is also looked after here – light and air, a view of the green, natural and tradition-bearing materials, and flexible solutions which allow for expression and creativity. The sense of security, belonging and pride. That you are treated with respect and dignity. The special adaptations have been made in addition to this, not at the expense of it,’ explains Elin Vatn.

outdoor spaces were designed with roofed canopies and spacious storage areas

each home was designed to accommodate specific resident behaviors

Snøhetta adapts physical housing elements based on insights from residents

Snøhetta opts for materials that excel in physical tests for resistance to impacts, fire, and vandalism

this project focused on repairable materials to balance environmental considerations with practical needs

all three residences feature a wooden ceiling that adds warmth

project info:

name: Karmøy Pilot Homes

architect: Snøhetta | @snohetta

location: Karmøy island, Norway

photographer: Haakon Nordvik | @haakonnordvik

The post snøhetta creates pilot homes for people living under challenging conditions in norway appeared first on designboom | architecture & design magazine.

The DFA Awards celebrate the transformative power of design across a wide array of disciplines, recognizing outstanding contributions that have made a lasting impact on Asian society through six award programs. Spanning six categories – Communication Design, Digital & Motion Design, Fashion & Accessory Design, Product & Industrial Design, Service & Experience Design, and Spatial Design – the 2024 edition of DFA Design for Asia Awards honors 215 exceptional projects, including 10 Grand Awards. 

From groundbreaking architectural concepts like the Beijing Library by Snøhetta to iconic product designs, notable individual award recipients include renowned architect Kengo Kuma, G-SHOCK creator Kikuo Ibe, pioneering lighting designer Tino Kwan, and Eisuke Tachikawa, Founder and CEO of NOSIGNER. Read along to learn more about their remarkable achievements.

(banner) NOT A HOTEL FUKUOKA by axonometric; NKS2 architects; A.N.D., NOMURA Co., Ltd. (DFAA 2024 Grand Award winner)
(above) The Panda Pavilions by Atelier Ping Jiang | EID Arch (DFAA 2024 Grand Award winner) | all images courtesy of DFA Awards

Established in 2003 by the Hong Kong Design Centre (HKDC), the DFA Awards are supported by the Cultural and Creative Industries Development Agency (CCIDA). The award program recognizes design excellence across Asia, highlighting projects that push creative boundaries and address global challenges. Judged by an international panel of over 40 experts from diverse design fields, the 2024 awardees include Kengo Kuma, DFA Lifetime Achievement Award (DFA LAA); Kikuo Ibe, DFA Design Leadership Award (DFA DLA); Tino Kwan, DFA World’s Outstanding Chinese Designer (DFA WOCD) and Eisuke Tachikawa, DFA Designer Of The Year (DFA DOY), each representing the pinnacle of design excellence and innovation.

Beijing Library by Snøhetta (DFAA 2024 Grand Award winner)

AWARDS FOR INDIVIDUAL EXCELLENCE IN ASIAN DESIGN

Renowned for his philosophy of using natural materials and designing human-scaled spaces, Kengo Kuma is the recipient of the 2024 DFA Lifetime Achievement Award. His work exemplifies a harmonious integration of traditional Japanese aesthetics with cutting-edge technology, creating architecture that is both grounded and forward-thinking. By redefining the relationship between nature, technology, and humanity, Kuma’s designs have made a profound impact on contemporary architecture globally.

V&A Dundee by Kengo Kuma | image ©Hufton+Crow

Kengo Kuma, recipient of the DFA Lifetime Achievement Award 2024 (DFA LAA) | image © Designhouse

Kikuo Ibe, the visionary behind the G-SHOCK watch, is celebrated with the DFA Design Leadership Award for 2024. His invention in 1981 revolutionized the watch industry with its shock-resistant design, turning G-SHOCK into a global phenomenon. More than 100 million G-SHOCK watches have been sold worldwide, making it a cultural icon and a technological marvel. This award honors Ibe’s leadership, which continuously challenges conventional product design, enhancing durability and resilience while maintaining mass appeal.

DW-5000C-1A G G-SHOCK by Kikuo Ibe

Kikuo Ibe, recipient of the DFA Design Leadership Award 2024 (DFA DLA)

Tino Kwan, one of the world’s foremost lighting designers, receives the 2024 DFA World’s Outstanding Chinese Designer. With a career spanning over 45 years, Kwan is a pioneer in lighting design, having established his firm, Tino Kwan Lighting Consultants, in London in 1979. His work has illuminated some of the most luxurious commercial buildings, hotels, and private residences around the globe, making him an influential figure in shaping the aesthetic and functional use of lighting. Kwan’s approach to design focuses on creating atmospheric environments that transform spaces, further elevating his status as a global leader in the field of lighting design.

The Peninsula Tokyo by Tino Kwan

Tino Kwan, recipient of the DFA World’s Outstanding Chinese Designer (DFA WOCD)

The first DFA Designer of the Year honors Eisuke Tachikawa, founder of NOSIGNER, for his unique approach to addressing global social issues through design. Known for his concept of ‘Evolutional Creativity,’ which parallels biological evolution with the creative process, Tachikawa has received over 100 design awards, including two DFA Grand Awards. His leadership in sustainable design and efforts to tackle climate change and disaster prevention have redefined the role of design in solving real-world problems.

Publication ‘Evolution Thinking’ by Eisuke Tachikawa

Eisuke Tachikawa, recipient of the DFA Designer of the Year 2024 (DFA DOY)

DESIGN FOR ASIA AWARDS (DFAA) CELEBRATES 10 GRAND AWARD WINNERS

The DFA Design for Asia Awards 2024 (DFA DFAA) continues to shine a spotlight on exceptional design achievements that have made a significant impact across Asia and beyond. With its six diverse categories – Communication Design, Digital & Motion Design, Fashion & Accessory Design, Product & Industrial Design, Service & Experience Design, and Spatial Design – the 2024 edition conferred a total of 215 accolades. Among them, 10 Grand Awards stood out, celebrating the pinnacle of innovation, along with 20 Gold, 43 Silver, 57 Bronze, and 85 Merit Awards.

‘It is truly inspiring to witness the incredible calibre of projects showcased in DFAA 2024. This year, we have seen an impressive range of designs that not only push creative boundaries but also reflect a deep commitment to addressing pressing global challenges, from social inclusivity to cultural preservation. It is heartening to see designers embracing social responsibility, incorporating sustainable practices, and preserving heritage while shaping the future of design in Asia. Congratulations to all the winners, whose visionary work is leading the way to a brighter future,’ says Steve Leung, Vice Chairman of HKDC and Chairman of the DFA Awards Steering Committee.

CYCL by YU Momoeda Architects (DFAA 2024 Grand Award winner) | image © Yashiro Photo Office

Radiant Eateries: Hong Kong Restaurant Neon Sign Drawings by Studio Nous (DFAA 2024 Grand Award winner)

Silver Pride Lion Troupe by NextOfKin Creatives Pte Ltd; Bridging Generations Pte (DFAA 2024 Grand Award winner)

project info: 

name: DFA Awards | @dfa_awards

organizer: Hong Kong Design Centre (HKDC) | @hkdesigncentre

sponsor: Cultural and Creative Industries Development Agency (CCIDA)

DFA Lifetime Achievement Award 2024: Kengo Kuma | @kkaa_offical

DFA Design Leadership Award 2024: Kikuo Ibe

DFA World’s Outstanding Chinese Designer 2024: Tino Kwan | @tinokwanlighting

DFA Designer of the Year 2024: Eisuke Tachikawa | @eisuketachikawa

The post DFA awards 2024 celebrates visionaries and outstanding achievements in asian design appeared first on designboom | architecture & design magazine.

Architecture studio Snøhetta has won the competition to design the new cable car stations in Koblenz, Germany, set within the UNESCO World Heritage Site of the Upper Middle Rhine Valley. The project aims to introduce contemporary architectural elements that complement the historical setting, creating a fluid blend between modern functionality and heritage preservation.

Koblenz’s cable car system, initially introduced in 2011 for the Federal Horticultural Show, connects the city center with the Ehrenbreitstein Fortress, located across the Rhine River. Originally a temporary structure, the system has grown into a key feature of the city, offering an environmentally friendly transportation option that aligns with local conservation goals. Snøhetta’s redesign marks a shift toward permanence, addressing the unique requirements of operating within a sensitive historical landscape.

the Valley Station is enclosed by a curved rooftop | images © Snøhetta

snøhetta draws from the region’s history and landscape

Snøhetta’s lower cable car station, known as the Valley Station, will be situated near Koblenz’s historic Basilica of St. Castor. The project incorporates design elements that honor this site’s architectural legacy. With a curved form that mirrors the basilica’s elegance, the station adapts to the region’s architectural motifs while preserving its own contemporary relevance. According to competition jurors, the station’s restrained design integrates into the World Heritage site without sacrificing architectural significance. Its gracefully curving metal roof echoes the basilica’s profile, blending modernity with heritage.

The architects‘ choice of materials for the valley station emphasizes local architectural traditions. The station’s metal roof, supported by a wooden framework on V-shaped concrete columns, is inspired by Koblenz’s historic roof and facade patterns. The roof’s metal shingles and the subtle green tones capture the natural play of light along the Rhine, adding a reflective quality that enhances the riverside setting. With this choice of materials, Snøhetta reinforces the relationship between architecture and the surrounding natural landscape.

the Mountain Station features a chamfered roof

The upper station — the Mountain Station — will be located at Ehrenbreitstein Fortress, presents a cohesive yet distinct design aligned with the valley station. Covered by a chamfered metal roof, the station incorporates stoic, robust forms that reflect the fortress’s historic presence. Supported by slender columns, the station’s wooden and metal structure features warmer hues, complementing the fortress’s earthy tones. The ‘flying’ roof, extending over the ticketing and kiosk area, creates a sheltered space for visitors while integrating an existing tree and adding depth to the station’s horizontal profile.

For Snøhetta, this project is as much about respecting Koblenz’s historical narrative as it is about creating functional infrastructure. ‘The cultural landscape and identity of the Upper Middle Rhine Valley are shaped by centuries of human intervention,’ says Patrick Lüth, Partner and Managing Director at Snøhetta’s Innsbruck studio. ‘The new stations engage in dialogue with this culturally significant landscape, honoring Koblenz’s architectural identity while bringing it into a contemporary context.’

project info:

name: Cable Car Stations

architecture: Snøhetta | @snohetta

location: Koblenz, Germany

status: competition winner, in progress

visualizations, drawings: © Snøhetta

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Among the rolling landscape of France’s Pyrenees National Park, a mountain refuge will soon undergo a sculptural transformation by architecture studio Snøhetta. The new project is the winner of a competition responding to a devastating fire that destroyed the previous building a decade ago. The so-called Refuge de Barroude will serve as both a stopover point for hikers on the Haute Route des Pyrénées and a reception and support center for the park’s staff. The design prioritizes environmental responsibility, rising organically from the terrain with its sweeping green roof and introducing modern amenities for visitors to the UNESCO World Heritage-listed national park.

images © Snøhetta

snøhetta balances integration and visibility

Snøhetta’s design concept for the Refuge de Barroude emphasizes a delicate balance between integration into the landscape and visibility within the expansive Pyrenees. The architects note that in this breathtaking setting, human presence should remain subtle. Thus, the team draws inspiration from two key ideas — Terrier and Cairn. The former signifies warmth and security, while the latter suggests a landmark or destination built from natural materials. These elements are reflected in the refuge’s architecture, which melds into the topography while contrasting with the rugged landscape through the use of stone, wood, and aluminum.

The new refuge is carefully positioned on the site of the old building, ensuring that it is situated outside areas protected for their endemic flora and fauna. By working with the existing topography, the design avoids excessive earthworks, creating two levels of refuge without altering the natural landscape. The compact structure’s bioclimatic design minimizes the exposure of facades to the elements, promoting energy efficiency and natural ventilation. A large planted roof, integrated with the surrounding landscape, helps reduce the visual impact of the structure.

the project will replace a preexisting refuge destroyed by a fire a decade ago

curated views toward a mountain lake

The design team at Snøhetta organizes the layout of its Refuge de Barroude between two distinct areas. The first, dedicated to communal spaces, includes a reception area, dining room, and kitchen, all oriented towards Lake Barroude and its surrounding trails. These open spaces provide a connection to the natural environment, allowing hikers to experience the scenery while enjoying the refuge’s amenities. The second area is reserved for private use, with dormitories and living quarters for the refuge’s warden and Pyrenees National Park staff.

Accommodations vary to suit different needs. Winter dormitories, designed for hikers and park staff, are located on the lower ground floor, providing direct outdoor access. Hikers have a choice between eight-person and six-person dormitories, with winter-adapted options available as well. In addition, the refuge features rooms for the warden and staff, supporting the park’s day-to-day operations.

the refuge will serve as a stopover for hikers on the Haute Route des Pyrénées

Snøhetta’s design prioritizes sustainability, incorporating low-carbon materials and minimizing construction impacts. The structure is primarily built from recycled wood and aluminum, with local stone used for the base, ensuring integration with the mountainous landscape. By keeping earthworks and concrete foundations to a minimum, the project aims to reduce its environmental footprint, allowing the building to ‘skim’ the ground and be fully reversible, with minimal disruption to the ecosystem.

The compact design of the refuge helps further reduce energy consumption, minimizing the need for heating and cooling. Renewable energy systems, such as solar panels and biomass heating, will provide electricity and hot water, significantly decreasing reliance on fossil fuels. Water is sourced from a nearby spring, and waste water is treated through infiltration, ensuring minimal environmental impact. The project is expected to break ground in 2025, with completion slated for 2027

the team draws from the ideas of Terrier for warmth and Cairn as a landmark

the refuge is built with recycled wood and aluminum, using local stone to blend into the earth

renewable energy systems, including solar and biomass heating, will reduce the refuge’s reliance on fossil fuels

Snøhetta balances environmental integration and visibility within the rugged Pyrenean landscape

project info:

project title: Refuge de Barroude

architecture: Snøhetta | @snohetta

location: Pyrenees National Park, France

area: 540 square meters

completion: expected 2027

visualizations: © Snøhetta

The post snøhetta’s grassy mountain refuge will skim the slopes of france’s pyrenees national park appeared first on designboom | architecture & design magazine.

Čoarvemátta, the newly completed cultural and educational center in Kautokeino/Guovdageaidnu, Norway, is a manifestation of the deep connection between architecture and the Sámi heritage. Designed by Snøhetta in collaboration with 70°N architecture and artist Joar Nango, this combined Sami theater and school is set to become a unifying force in the region. The timber building draws its name from the Sámi words for ‘horn’ and ‘root,’ symbolizing strength and unity, much like the reindeer antlers from which it takes inspiration.

The building is home to two distinct institutions — the Sami National Theatre Beaivváš and the Sami High School and Reindeer Herding School. This unusual combination presented an intriguing challenge for the architects. Kjetil Trædal Thorsen, Snøhetta’s Founding Partner, highlights the project as a significant achievement in connecting these disparate functions under one roof. The architecture reflects the Sámi principle of resourcefulness, ensuring that every element serves a purpose, akin to traditional Sámi handicrafts where nothing is wasted. Read designboom’s previous coverage here!

images © Lars Petter Pettersen

snøhetta, 70°N arkitektur & joar nango learn from traditional sámi structures

Located on the Finnmarksvidda plateau, Čoarvemátta is designed by the architects at Snøhetta and 70°N arkitektur with artist Joar Nango to respect its natural surroundings. The building’s low profile and soft, organic forms mirror the surrounding hills and valleys. Its sloping roof on the north and south sides helps minimize its visual impact while creating a welcoming entrance from the southwest. The structure’s branching shape centers around a main entrance and vestibule, which serves as a gathering place for both the school and the theater.

The design of Čoarvemátta is deeply rooted in Sámi architectural traditions. The curved lines, skylights, and visible timber structure draw inspiration from the lávvu, a type of tent used by the reindeer-herding Sámi people. The building’s shape and central meeting point echo the communal and functional aspects of traditional Sámi shelters, bringing together various functions within a unified, cohesive space.

čoarvemátta combines a Sami theater and school, uniting different institutions under one roof

the material and color palette of Čoarvemátta

Čoarvemátta’s exterior is clad in standing wood made of ore pine, while the expansive 4,930 square-meter roof is covered with kebony wood. The gable wall of the theater features Alta slate stone, repurposed from the village’s old primary school. Inside, the building’s color palette shifts from warm reds near the central foyer and theater halls to cooler blues at the ends of the wings, reflecting the Sámi approach to color. The polished concrete floors incorporate locally sourced stones, further connecting the interior to the surrounding landscape.

The building’s branching design naturally forms three distinct outdoor spaces. The main entrance area includes a circular forecourt with an arrán (fire pit), sitting stones, and an amphitheater, providing a flexible space for both school and theater activities. The area north of the building is dedicated to reindeer herding, featuring reindeer fences constructed by local experts. The landscape around Čoarvemátta has been carefully preserved, with efforts made to restore the plateau to its original state after construction.

the building’s design is inspired by traditional Sámi structures, like the lávvu

sustainable energy solutions

Čoarvemátta meets Passive House standards, ensuring a high-quality indoor climate with minimal energy use. The building is 90% self-sufficient in heating and cooling, thanks to forty geowells drilled deep into the ground. The heat pumps connected to these wells both heat and cool the building, with excess energy being returned to the ground. The soil removed during construction was stored and replaced around the building, preserving the natural seed stock and promoting the regeneration of the local vegetation.

In addition to the building design, Snøhetta also developed the signage and wayfinding program for Čoarvemátta. The signs, made of powder-coated steel and pine, are functional yet subtly reference traditional Sámi craftsmanship. The graphic design, including typography and pictograms, aligns with the building’s architectural elements, ensuring clear readability across multiple languages — Northern, Southern, Lule Sámi, and Bokmål.

Čoarvemátta’s organic forms and low profile blend with the surrounding Finnmarksvidda plateau

the facade features ore pine and kebony wood, while repurposed Alta slate stone connects the building to its local history

the building’s branching design centers around a main entrance and vestibule

the color palette transitions from warm reds to cool blues, reflecting traditional Sámi use of color

Čoarvemátta is 90% self-sufficient in energy, using geowells for heating and cooling

project info:

project title: Čoarvemátta

architecture, interior architecture, landscape architecture, graphic design: Snøhetta | @snohetta

collaborating partner, architect: 70°N arkitektur | @70n_arkitektur
collaborating partner, architect/artist: Joar Nango

location: Kautokeino/Guovdageaidnu, Norway

size: 7,200 square-meter
typology: cultural and educational building

completion: 2024

photography: © Lars Petter Pettersen | @larspetterpettersen

client: Statsbygg
entrepreneur: Econor
art acquisition: KORO, curator: Monica Milch Gebhardt
artists: Máret Ánne Sara, Laila Mari Brandsfjell, Fredrik Prost, ​Ellen Berit Dalbakk/Rámavuol Elle Bigge, Merethe Ella Márjá Kuhmunen, Elle Valkeapää, Britta Marakatt-Labba, Iver Jåks, Aage Gaup.
consulting building engineer: Skanska Teknikk
consulting engineer, HVAC: Multiconsult
consulting engineer, electrical: Heiberg og Tveter
consulting engineer, acoustics: Brekke & Strand
consulting engineer, fire: Fokus rådgiving
consulting engineer, water: COWI

The post snøhetta, 70°N arkitektur & joar nango evoke reindeer antlers with norwegian cultural hub appeared first on designboom | architecture & design magazine.

Snøhetta debuts the redesign of the recently completed three-year transformation of the Blanton Museum of Art campus at The University of Texas at Austin. Announced in 2021, the 200,000 sqft (18,580 sqm) project revitalizes the museum‘s entryways, central courtyard, and landscape, creating a unified and visually compelling presence. The redesign includes updates to two buildings and the integration of Ellsworth Kelly’s ‘Austin’ within the museum campus. The new landscape and reimagined entrances establish a prominent connection between the Texas Capitol Complex and the university campus, enhancing the museum’s role as a public art hub in Austin.

The design, characterized by inclusive gathering spaces, links the civic core of the city to the historic university fabric. A canopy of petal sculptures, rising 40 feet, each petal is made of perforated panels and spans 30 feet in diameter, creating a shaded microclimate with dappled light. Made from perforated panels, these petals manage drainage, allowing passive irrigation into the subgrade. Their curving outlines, inspired by the arched vaults of the museum’s loggia, frame views of Ellsworth Kelly’s Austin and the Capitol.

all images by Casey Dunn

dynamic landscape design integrates new and existing plants

Through a choreography of planting, geometry, and art, the landscape vision is defined by a series of new gardens and entry points that knit the grounds together. The plantings for the Blanton campus were carefully selected by the design team through a variety of environmental considerations, with an overall desire to establish feelings of comfort, welcome, and support. The landscape design integrates more than 25,000 new plants selected for environmental suitability and ease of maintenance. Existing vegetation, including the defining oak trees, has been preserved wherever possible. Multi-stem crape myrtles complement the oaks, framing the plaza entrance. The Faulkner Garden showcases dynamic vegetation, accommodating a range of sun and shade conditions and hydrologic character in its bounds.

To mark the museum’s mission of highlighting underrepresented artists, Snøhetta’s redesign includes a site-specific mural by Cuban-American painter Carmen Herrera. Sited on the interior wall under the Michener Gallery Building’s loggia, this mural spans the building’s length, with the museum entrance at its center. The landscape design harmonizes with Herrera’s mural, incorporating lush plantings and topography, alongside a sound garden gallery for auditory works. The Moody Patio features two performance stages, new landscaping, a lawn, and diverse seating areas, enhancing the Blanton’s programming and creating a community center for art and music.

Snøhetta unveils the redesigned Blanton Museum of Art campus at The University of Texas at Austin

the redesign revitalizes the museum’s entryways, central courtyard, and landscape

the new landscape and reimagined entrances connect the Texas Capitol Complex with the university campus

a canopy of 40-foot-tall petal sculptures creates a shaded microclimate with dappled light

the redesign enhances the museum’s role as a public art hub in Austin

inclusive gathering spaces link the civic core of the city to the historic university fabric

the landscape vision includes new gardens and entry points, knitting the grounds together

the redesign offers new landscaping, and diverse seating areas, enhancing community engagement

the project enhances Blanton’s programming creating a community center for art and music

project info:

name: The Blanton Museum of Art Grounds Redesign

architect: Snøhetta | @snohetta

client: Blanton Museum of Art

area: 200,000 sqft

location: Austin, Texas

photography: Casey Dunn

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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Snøhetta introduced the redesigned LAUFEN Forum, at the Swiss bathroom manufacturing company’s Headquarters in Switzerland, near Basel. Featuring the installation Color Archaeology by Roberto Sironi, the new space is defined by rammed earth, brass panels, and light terrazzo floor. Commissioning the redesign of the LAUFEN Forum to an architectural firm which has placed sustainability in architecture, and a sensitive approach to landscape and resources at the center of its work since its foundation, was a conscious decision. The careful handling of raw materials in production and the efficient use of water in LAUFEN bathroom products formed a common foundation for the project. During the official opening on June 12th, 2024, Patrick Lüth, the managing director of Snøhetta Studio Innsbruck, graced the event for the unveiling of the present interior space. He sat down with designboom for an interview and shared that the reimagination of the forum is centered on the idea of matter.

on June 12^th Snøhetta introduced the redesigned LAUFEN Forum at the LAUFEN headquarters near Basel, defined by rammed earth, brass panels, and light terrazzo floor

all images courtesy of LAUFEN and Snøhetta

Retaining the original exposed concrete by Nissen & Wentzlaff

The LAUFEN Forum, opened in 2009, is an architectural brand statement, that serves as a dedicated space for the bathroom industry, offering inspiration and information for architects, designers, business partners, and installers. Originally designed by the Basel architectural firm Nissen & Wentzlaff, the building’s exterior, when viewed from above, resembles a well-known LAUFEN ceramic washbasin and, symbolically, was cast in one piece, mirroring its ceramic counterpart. In collaboration with architectural firm Snøhetta, the Swiss company‘s new design extends beyond its showroom purpose and becomes a holistic brand experience represented by the tension between materiality, design and technical perfection. 

In the redesign, the Norwegian transdisciplinary studio left the exposed concrete that rings around the first and second floor untouched, as well as the barricades in some parts, creating a symmetry between all raw materials. Upon entering the reimagined space, Snøhetta replaced the once flat flooring with a ramp, a gradual uphill to allow for a more accessible entrance. The floor, once concrete with a semi-reflective finish, with round lines that recall the shape of water drops as water is another important element in Snøhetta’s architecture approach and of course a fundamental element in the bathroom company’s products. The brass wall and panels on the right, glistening like gold, stand adjacent to the rammed earth that continues through the reception area and desk. These materials are the essence of LAUFEN’s manufacturing process and bathroom collections: clay is fundamental in creating ceramics and brass is the material faucets are made of. 

the LAUFEN Forum, opened in 2009, and its exterior resembles a well-known LAUFEN ceramic washbasin

Designboom talks to Patrick Lüth, Managing Director of Snøhetta Innsbruck

Matter, interpreted as both material and meaningful significance, is central to the LAUFEN brand experience, elegantly embodied in the various spaces of the LAUFEN Forum. Visitors are welcomed in the Greeting Space, where the defining materials of clay and brass highlight the essence of the brand. Progressing into the Matter Space, an event and discussion venue, they encounter a refined expression of Matter as both physical substance and thematic focus, enriching the experience within the Forum. Look above, and the ceiling in gray tone can make the natural light spilling for the numerous overhead skylights even brighter. Patrick Lüth shares with the designboom that the exposed concrete is the character of the space. The design team has a huge respect for the existing building and as proof, some concrete parts have remained residents.

In Patrcik Lüth’s words, LAUFEN and Snøhetta implemented and interpreted ‘Matter’ in two different ways. ‘One emphasizes the qualities of raw materials. The other focuses on creating spaces that matter to people. This involves dialogue, conversations, design talks, and utilizing these spaces for relevant topics. These two sides of matter complement each other, which we co-created with LAUFEN,’ he adds.

brass wall, rammed earth and light terrazzo floor

Briefly mentioned above, one of the stars in the redesigned LAUFEN Forum is the heart of the room. During the opening, LAUFEN hosted a panel talk with Patrick Lüth, Roberto Sironi of Roberto Sironi Studio, and Carlos Velázquez, Roca Group’s Director of Sustainability and Institutional Relations, moderated by art historian and curator Michelle Nicol. Reflecting on what set the tone of the reimagination during its creation process, the managing director of Snøhetta Studio Innsbruck brought up the essence of intuition and how important the aspect of the unconscious was in the design.

‘I think it’s important that we work in teams and collaborate with people who have different intuitions due to their cultural background, their education, their project experience, and their upbringing. These processes allow us to curate and bring out the more intuitive, emotional aspects in people, so that we are not too pragmatic all the time. The rationale is important if you talk about the execution, but you need people to go into a design process with their heart, their soul, and their intuition in order to create something meaningful,’ says Patrick Lüth. 

pathway leading to the open space in the center of the interior

A light terrazzo floor, colour-coordinated with the exposed concrete of the curved, two-storey building, provides a neutral backdrop for curated product displays designed with natural clay plasters and paints. In these niches, visitors can experience the tactile qualities of LAUFEN’s bathroom products, from washbasins and toilets to matching furniture, faucets, bathtubs, shower trays and accessories. Each bathroom collection is presented with signature colors.

‘We’ve embraced the character of the place. We actually painted the ceiling a gray tone to give the necessary contrast. It complements the roof lights well. We also replaced the damaged concrete flooring with terrazzo, but kept the concrete walls – they’re beautiful,’ he adds.

this joint multidisciplinary project was not just about architecture, but also about a new way of communicating and understanding the brand universe

Upstairs, LAUFEN Forum’s new look continues. This time, Snøhetta brings in movable and modular shelves and panels to display the Swiss manufacturer’s bathroom collections. The product display on the upper floor is a little more playful: a wealth of LAUFEN products can be found on industrial shelves. Visitors can arrange and combine products from various collections on movable racks, allowing for interactive exploration and testing of product combinations. This hands-on exhibition provides new opportunities to understand and experience the bathroom living space as the bright terrazzo and exposed concrete create an industrial yet welcoming ambiance for this setting. Additionally, a digital space complements the analogue brand world, allowing visitors to digitally explore and immerse themselves in the company’s universe.

Having these multipurposes shelves and panels on the second floor was intentional for Snøhetta. ‘We have the colorful booths downstairs that represent each LAUFEN series and create a mood. For the series upstairs, it’s the opposite. We create a setting where the client, together with LAUFEN and the staff, can interact and connect, and do something unconventional. They can combine objects. They can take a shower and a toilet and put it together with a wash basin, if they want. If they have a crafted piece of furniture, they can bring it over and place it in a setting that they want too,’ Patrick Lüth explains to designboom.

Snøhetta also redesigned the individual product booths inside LAUFEN Forum

The official opening of the Snøhetta-redesigned LAUFEN Forum took place on June 12th 2024. The event also welcomed the installation Color Archaeology by Roberto Sironi, which can be seen in the LAUFEN Forum until mid August 2024.  The project, which was presented for the first time during Fuorisalone 2024 at LAUFEN space Milano, shares the culmination of an academic research undertaken by Sironi on behalf of LAUFEN, and conveyed with the imaginative vision of Studio Lys and Beda Achermann.

Snøhetta retained the exposed concrete as part of LAUFEN Forum’s original design

view of the second floor inside LAUFEN Forum

the movable shelves and panels roll with their built-in wheels

Patrick Lüth, the managing director of Snøhetta Studio Innsbruck

view of the LAUFEN Forum from outside

project info:

name: Matter

company: LAUFEN | @laufenbathrooms

design: Snøhetta

project lead: Patrick Lüth

location: Wahlenstrasse 46, 4242 Laufen, Switzerland

photoraphy: Pierre Kellenberger

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Snøhetta has unveiled Vertikal Nydalen, a groundbreaking mixed-use building in Oslo, Norway. The project pushes the boundaries of sustainable design by incorporating a simplified, self-sufficient climate system and natural ventilation. The project serves as a new town square for the revitalized Nydalen district. It sits on the former Gullhaug Torg site, which functioned as a parking lot during the area’s transition from an industrial zone to a modern business hub. As part of the district’s transformation into a vibrant residential area, the project aimed to create a car-free zone with a town square and a high-rise building.

Officially opened on April 25th, 2024, Vertikal Nydalen features restaurants at street level, followed by five floors of office space, and topped with residential apartments.

images © Lars Petter Pettersen/Snøhetta

snøhetta brings Sustainable architecture to oslo

The architects at Snøhetta designed Vertikal Nydalen as a ‘triple zero solution’ building, achieving net-zero energy use for heating, cooling, and ventilation. This is accomplished through a combination of geothermal wells, photovoltaic (PV) panels, a low-energy heating and cooling system, and natural ventilation. Compared to a standard building, the project boasts a more than 50% reduction in CO2 emissions from materials, transport, and energy use.

The building makes use of geothermal wells to circulate water through clay walls and concrete slabs for heating and cooling. Additionally, heat absorbed by the concrete walls during the day is released at night, contributing to stable indoor temperatures. Solar panels on the roof power the heat pump that controls the building’s climate system.

Snøhetta unveils groundbreaking Vertikal Nydalen in Oslo

a Focus on Natural Ventilation

Traditional office ventilation systems often require lowered ceilings, sacrificing valuable space. Vertikal Nydalen’s natural ventilation system eliminates the need for ducts and fans, resulting in a more open and light-filled environment. The angled facade creates pressure differences that drive air circulation throughout the building. Fresh air enters through valves in the facade that adjust automatically. Beyond minimizing technical space and energy use for ventilation, naturally ventilated offices require less remodeling and maintenance for future adaptations.

‘We are proud to showcase Vertikal Nydalen and the innovative design that integrates natural ventilation, minimal energy consumption, and a multi-use functionality,’ says founding partner Kjetil Trædal Thorsen of Snøhetta. He emphasizes the importance of collaboration with a progressive client and the need to challenge existing regulations to explore unconventional solutions for sustainable development.

the mixed-use building features a sustainable design with natural ventilation

Vertikal Nydalen’s interior reflects its commitment to sustainability. Exposed concrete cores provide thermal mass, while steel supports the floors. The facade is clad in heat-treated pine, offering a warm and inviting exterior. Projecting balconies with steel finishes add a contrasting element, and their perforated railings capture light from various angles, creating a dynamic visual effect.

The interior design prioritizes materials that complement the exposed concrete and high ceilings. Apartments feature thin oak parquet flooring laid on top of the concrete base, while large windows maximize natural light and provide stunning views of the surrounding area, including the Oslo fjord.

Vertikal Nydalen serves as a new town square for the revived Nydalen district
the building achieves net zero energy use for heating, cooling, and ventilation

geothermal wells and solar panels contribute to the building’s energy efficiency

natural ventilation eliminates the need for ducts and fans, creating a more open space

the interior design prioritizes materials that complement the exposed concrete and high ceilings

project info:

project title: Vertikal Nydalen

architecture: Snøhetta | @snohetta

location: Gullhaug Torg, Nydalen, Oslo, Norway

completion: April 2024

drawings: © Snøhetta and Lala Tøyen (Landscape Plan)

photography: © Lars Petter Pettersen/Snøhetta 

landscape architect street level: LALA Tøyen ​
​consulting building engineer: Skanska Teknikk
​consulting engineer, HVAC: Multiconsult ​
​consulting engineer, electrical: Heiberg og Tveter ​
​consulting engineer, acoustics: Brekke & Strand
​consulting engineer, fire: Fokus rådgiving ​
​consulting engineer, water: COWI

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